It's an interesting amplification of the type of reality.
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It's an interesting amplification of the type of reality.
Araújo manages to find the right angles for all of the action.
Riegel and Beatty carry the drama off pretty well.
Tamaki continues to have fun with a fish out of water or sort of a situation.
An interesting amplification of aggression.
Vecchio manages to find a way to make it work.
Visuals continue to be really appealing.
A clever patchwork of various elements.
Williams keeps it sharp for his tale of Terry and the dummy.
Corona’s art is extremely textured.
Bennet mixes the supernatural with the criminal.
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Seeley has a really interesting world that he’s been working with.
Young continues an admirable amount of character development for Gert.
Orellana frames the basic premise of the series with impressive concision.
O’Malley dives right into the early stages of a very cute romantic relationship.
Layman modulates the issue pretty well.
There’s real darkness in what Rosenberg is bringing to the page.
Walsh’s rendering of classic scenes from the movie hits the page much better than it hit the screen in the old movie.
Remember and Warren have a very solid piece of dram.