Tynion frames the central conflict of the film as the series draws to a chlling close.
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Skinbreaker #3 // Review
Kirkman is clearly trying to render some sort of conflict.
Hector Plasm: Hunt th Bigfoot #2 // Review
Cereno has a very sharp sense of the dramatic.
Final Boss #1 // Review
It’s big. It’s dumb. It’s stupid.
Exquisite Corpses #7 //
The plot intensifies.
We’re Taking Everyone With Down Us #6 // Review
Rosenberg cranks-up the pacing considerably at the end of the series.
The Power Fantasy #13 // Review
The sheer density of Gillen’s writing reaches something of a critical mass.
Witchblade #17 // Review
There's an overwhelming intensity about the story.
Artificial #3 // Review
Llovett anchors her narrative very, very closely on the three central characters.
The Author Immortal #2 // Review
Beem hits the page with a ragged intensity.
Redcoat #15 // Review
Johns is doing a character study for what feels like a sequel.
Youngblood #1 // Review
The whole thing feels very awkward.
Feral #17 // Review
Fleecs works with a surprisingly dizzying array of different elements.
Sleep #6 // Review
Cannon is working with a lot of tiny elements on a tiny canvas.
Exquisite Corpses #6 // Review
The writing team’s choices begin to make a bit more sense.
News From the Fallout #5 // Review
It’s essentially a variation on the old Godzilla myth.
Witchblade #15 // Review
Bennett’s best work in the issue involves the conversation between Lisa and Sara.
I Hate Fairyland #45 // Review
If Popeye had been allowed to be a little bit more himself, it might be a little bit more interesting.
Hector Plasm: Hunt the Bigfoot #1 // Review
Cereno tells an enjoyable story.
Artificial #2 // Review
Llovet tells a very traditional style romantic triangle story.