Johns has put in a tremendous amount of work crafting a very intricate world.
All in Image Comics
Johns has put in a tremendous amount of work crafting a very intricate world.
The flip book formatting for issue #24 is actually very, very cool.
MacLeanβs adventure has been one of extreme silliness.
Remender delivers the tragedies and complexities of war.
The visuals seem like a weird collage of different elements.
The anatomy is silly enough that it might have been drawn by Liefeld.
Tomasi pieces the story pretty well.
Wagner has carefully constructed the plot.
De Felici does a fantastic job of making everything seem oppressive and inescapable.
The art team develops a suitably cinematic look for the opening issue.
Hitch and Currie drive the drama to the page with respectably vivid emotions.
The darkness around the edges that begins to crop up at the end of the first issue doesn't hurt either.
Ehrich and Condon keep the scope of the story very, very limited.
The darkness extends well out from the script.
Avallone juggles a lot of different elements in comedy drama, about a down-on-his-luck artist.
Itβs been an interesting journey with Lovecraft, Birks and Roberts.
Bennett and Cafaro continue to work a very appealing narrative gravity in another deeply fun issue.
Very sharp and charmingly clever stuff throughout.
Eric Trautmann and Gregg Rucka continue a fun story that is dynamically brought to page and panel by artist Mike Henderson.
Brett Bean continues a thoroughly entertaining fantasy comedy.