Thompson has a knack for catching a series of scenes and putting them together.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Hama brings a very real sense of tactical combat to the book.
Ganucheau has a lot of fun with the beloved characters.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
It’s nice to see the reptilian getting a bit of the spotlight as the series continues.
The strange mix of space fantasy and cyberpunk continues to wind and twist.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Benitez and Chen put a lot of edges an and around everything.
Darcy Van Poelgeest lets loose on the restless energy.
Johnson's rendering continues to be very appealing.
Shalvey doesn’t move that far beyond a traditional Vietnam narrative.
Zdarsky does a clever job of manipulating the traditional trappings of superhero stories.
Daniel Warren Johnson is cleverly playing with the pieces that he's been given.
Andreyko fuses the narration of the issue with some degree of humor.
The art team does a good job of harnessing the horror.