Boss weaves a story of commercial success in Hollywood with a story of murder and revenge.
All tagged Jordie Bellaire
Boss weaves a story of commercial success in Hollywood with a story of murder and revenge.
Burnett picks up the sky style and really runs with it.
It’s an appealing opening with some complexity.
s not a deliciously, appealing sort of horror.
After 22 issues, it’s quite an experience to see Diana truly enraged.
It all works as well visually as it does conceptually.
Vellani clearly has a really vivid grasp of good storytelling.
There’s a sketchiness to Cadonici’s art that feels suitably dreamlike.
At some point it just kind of feels like Camp is showing-off.
Boss expands some of the background on Exquisite Corpses.
Tynion had set himself up for a very, very difficult ending.
Bennett and Tynion dive into a folk horror that fuses with a narrative that draws inspiration from Hunter S. Thompson.
The intriguingly distinct horror continues to carve-out a niche for itself on the comics rack.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Tynion moves things further down the path of the unexpected.
Tynion begins to bring a lot of elements together in the penultimate chapter of the series.
Things get pretty brutal towards the end of the series.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Bellaire does a remarkable job of granting exactly the kind of mood.