Thompson does a really good job at the characterization.
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Thompson does a really good job at the characterization.
Johns is a genuine fan of the conflict between the two Earths.
There are several thematic layers to Tynion’s story.
The art team is a good portion of the reason why Hill’s script works.
Lemire tackles the drama with a solid sense of mystery.
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
Cloonan and Conrad are saying goodbye.
Tynion is throwing a lot at the page.
A well-balanced approach with a great deal of respect for nearly every character in the ensemble.
Tynion isn’t really doing anything new with the opening issue.
Wilson gives Wonder Woman the warmth and passion that she so richly deserves.
It feels like they’re doing something quite new with Diana.
Lupacchino has a firm handle on the crushing drama of powerful characters.
Wilson’s wit carries the issue quite well.
Janin and Ordway play to a rather deft balance between action and drama.
Wilson frames a really interesting conflict.
Waid paces the action remarkably well.
Cloonan and Conrad elevate things quite a bit.
A clever scriptwriter who also happens to have a deep love for the world in which he’s writing.
Cloonan and Conrad do a brilliant job of drawing Wonder Woman, Superman, and Batman together.