There’s a sketchiness to Cadonici’s art that feels suitably dreamlike.
All tagged Jordie Bellaire
There’s a sketchiness to Cadonici’s art that feels suitably dreamlike.
At some point it just kind of feels like Camp is showing-off.
Boss expands some of the background on Exquisite Corpses.
Tynion had set himself up for a very, very difficult ending.
Bennett and Tynion dive into a folk horror that fuses with a narrative that draws inspiration from Hunter S. Thompson.
The intriguingly distinct horror continues to carve-out a niche for itself on the comics rack.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Tynion moves things further down the path of the unexpected.
Tynion begins to bring a lot of elements together in the penultimate chapter of the series.
Things get pretty brutal towards the end of the series.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Bellaire does a remarkable job of granting exactly the kind of mood.
Williamson adds a complexity beyond the surface level of a franchise that’s been around for decades.
Tynion and Pichetshote have been relatively precise about how they’re allowing the game to unravel.
Tynion’s story jumps across the first quarter of the 21st century.
Camp’s absurdist/surrealist horror story is insanely clever.
Williamson continues the action in a direction that feels progressive.
The plot intensifies.
There’s no victimization. No abstract evil. Just tragedy.