A charming opening chapter that pulls together enough intrigue to draw the reader to the page.
All in Action
A charming opening chapter that pulls together enough intrigue to draw the reader to the page.
This issue manages to navigate Quinn's significant psychological territory in a reasonably satisfying way.
Palmiotti and Conner cleverly construct an emotionally stirring action drama.
Pure adventure that reaches for precisely what it achieves.
A more profound blending of art and story seems just out of reach.
There’s a hell of a lot of activity in this issue.
The final issue ends without any clear sense of conclusion.
Reverse-Flash is on a mission to finally take Barry down, and he's gathering an army of familiar faces from Flash's rogues' gallery to do it.
Can Thor out-cosmic the insanely cosmic threat to the cosmic hungry man Galactus?
A nice break from the usual focus on the titular hero and still manages to move the story forward in a meaningful way.
A heroine faces a dark adversary in a poetic confrontation
Young knows full well what his artist is capable of doing on the page.
Castellucci’s framing feels more than a little weird.
A fast-paced espionage story
The emotional impact that McGuire delicately pummels into the issue leaves a powerful impression.
A satisfyingly ominous conclusion.
The shrewd, compassionate, problem-solving edge of Diana’s temperament is given an enjoyable outing in a couple brief tales.
MacKay and Villa put together a fun, little heist.
A story which had been veering into some pretty timeworn territory is given new life in Diana’s latest issue.
Everything finally begins to unravel for Harley in a way that begins to feel remarkably satisfying by the issue’s end.