Vale has some sense of design fresh novel visuals.
All in Action
Vale has some sense of design fresh novel visuals.
Moss is also working with imagery that had been around for a long time.
Corona’s art is extremely textured.
Bennet mixes the supernatural with the criminal.
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Seeley has a really interesting world that he’s been working with.
Pepose does a remarkably good job of framing the work.
The story ends up having a great deal of energy.
Remember and Warren have a very solid piece of dram.
It’s not brilliant or anything like that.
Grønbekk shuffles around a lot of really fun and enjoyable sword and sorcery fantasy elements.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
Johns and company deliver a really impressive second issue.
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Hama brings a very real sense of tactical combat to the book.