Snejgjerg has a sharp and sensitive execution.
All in Action
Snejgjerg has a sharp and sensitive execution.
Ganucheau is a storyteller, but she's also an artist.
Kirkman is clearly trying to render some sort of conflict.
Shalvey is painting a story in broad, heroic strokes.
Tieri’s script almost seems to be trying to march the fun onto the page at gunpoint.
Overall pacing in composition of the script feel almost perfect.
Loeb opens the series with a big slugfest.
Condon makes one last stand with the series.
Cereno has a very sharp sense of the dramatic.
Given enough time this could be a lot of fun.
It’s big. It’s dumb. It’s stupid.
The plot intensifies.
Grønbekk has a subtle and nuanced approach.
Rosenberg cranks-up the pacing considerably at the end of the series.
FedVan Lnte has a masterful approach to blending all of the characters.
Sniegoski keeps the events moving with a steady pace that never feels rushed.
One of the more original personalities to be re-imagined for the comics page in recent years.
Beem hits the page with a ragged intensity.
Palmiotti outlines are very clever, little encounter.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.