All in Comedy
Seems to actually kind of reach for something deeper than the silliness.
Deibert makes the tour of the museum the entire substance of the story.
Avallone has more than a few genuinely funny moments here and there.
Wells has really switched the direction of the series into action/comedy mode.
The big climactic conclusion is seriously funny.
Layman rides a pretty fine line between lighthearted situation comedy and something altogether darker.
It’s a fun story that almost lives up to the premise.
Robinson is now ready to dive more deeply into the central conflict of the series.
In theory, it should be a lot of fun.
Deibert actually manages to articulate every character.
As the issue opens, it DOES feel like anything could happen.
There’s a serene silence about the art.
Avallone playfully pushes Elvira through a couple of scenes.
Walker’s wit takes advantage of a very resourceful sense of humor.
Young takes a while to get the story moving.
Zornow makes the visuals look cute without being overly cuddly.
The right mixture of action and comedy for a decent Harley story.
Russell lets the situations in the situational comedy.
Waid solidly establishes what’s going on.