Lieberman comes dangerously close to completely fragmenting the plot.
All in Crime
Lieberman comes dangerously close to completely fragmenting the plot.
Cho really focusses the narrative tightly on the life, mental and emotional state of Dani.
Segura and Barajas weave the two narratives together quite well.
Miyazawa manages a striking array of different subtleties.
Brisson is doing some rather clever things.
Loveridge has a lot going on.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Barel and McFarlane manage to keep the drama running.
Bengalโs sharp sense of atmosphere gives the entire issue quite a bit of gravity.
Thatโs remarkably sharp prose.
Thereโs an encrypted otherworldliness about the experience.
McFarlane almost has the heart of a really good story.
Tyrionโs dialogue continues to feel very natural.
Bennett is really setting the stage for something massive.
Duggan delivers a witty, admirable thug to the page with charm
Trying to balance things a bit too much for its own good.
McClarenโs art is GORGEOUS.
McFarlane finds a lot of disjointed moments.
Terse dialogue and tight-lipped drama.
Lore and Meyer find the right angles for Alexis.