Supergirl continues to make a very appealingly heroic presence.
All in Crossover
Supergirl continues to make a very appealingly heroic presence.
Jurgens sets things up in an auspicious direction at issue's end.
Breaking up is hard to do in Absolute Carnage #3.
Castellucci is putting together smart, interesting stuff that details Batgirl’s distinctive style of selflessness.
Keeping the action within the Spider-family gives Absolute Carnage #2 tight focus and clear stakes.
McGuire's writing is particularly sharp in this debut issue of the new series.
Fuses interpersonal drama with lighthearted fourth wall shattering multi-genre spoofery.
A new all-woman anthology series. It’s written by women. It’s drawn by women. It’s about characters who are women. Cool.
Pure, unadulterated fun.
An awkwardly expository moment as a rather large crossover event crumbles towards its final issue.
A fast-paced issue with cleverly-executed action.
McGuire wisely chooses to focus on the fun social angle of a couple of web-slingers hanging out together.
A crucial moment in Young Thor’s life
The art’s good. The story isn’t.
A really fun, well-paced script that is brought to the page by artist Marco Castiello.
A fun issue that sets-up a substantial show-down for next issue.
The strange dynamic between the four giant heroes is remarkably witty.
If a good comic feels like a meal, then Superman: Event Leviathan #1 is a really good buffet, one where you might find yourself leaving a little overstuffed.
Jason Aaron focusses on Gorilla-Man during an invasion of Dark Elves.
There are a few novel aspects to the issue that distinguish it as one of the better ones in the series thus far.