The entire creative team does a good enough job of distracting from the tired, old central themes of the story to make it FEEL fresh,
All in DC Comics
The entire creative team does a good enough job of distracting from the tired, old central themes of the story to make it FEEL fresh,
Castellucci is putting together smart, interesting stuff that details Batgirlβs distinctive style of selflessness.
The House Of El battles Rogol Zaar in the ruins of Krypton.
Clark Kent meets the new owner of the Daily Planet.
While Batman/Superman may be essential reading for those following the metastory of the DC Universe, it has some work to do to justify its own existence.
Dial H for HERO remains one of the most consistently entertaining titles DC has on the stands today.
Supermanβs Pal Jimmy Olsen #2 is an ambitious comic, and its ambition pays off.
Overall, Superman Year One #2 is slightly less offensive than the first issue; instead, it commits the even greater sin of being simply boring.
Year of the Villain: Black Mask #1 is a one-and-done comic done well.
A clean and simple motion and emotion explore some of Catwomanβs deeper emotions.
This is the best this book has been in over a year!
The fully-painted art of Alex Maleev is the real star of Event Leviathan #3.
Fuses interpersonal drama with lighthearted fourth wall shattering multi-genre spoofery.
It seems difficult to believe that Rucka, Perkins, et al can continue this momentum for ten more issues, but the first two indicate that Lois Lane will be an instant classic.
Seven issues complete, and yet nothing has been accomplished.
Grant Morrison and Giuseppe Camuncoli work together and deliver an excellent detour
Batman: Last Knight on Earth #2 is a great issue of comics, and is the crown jewel of DCβs meager offerings on this fifth week at the end of July. Highly recommended
Castellucci and DiGiandomenico handle the transition from the previous creative team quite deftly.
Jurgens keeps the action going in an issue the narrowly avoids living-up to the potential of the story.
The messy grittiness of a police assault on a rural human trafficking outpost feels weird and stringy.