Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
All in DC Comics
Wilson has done such a good job of rendering the inner intellectual complexity of Pamela.
Flynn works some degree of magic with simple complexities in a pair of over-simplified hero-versus-villains superhero worlds.
Lemire rather definitely channels the distinct dynamic of the JSA.
Fraction works with the extended ensemble in a way that feels very well balanced.
Remarkably sophisticated stuff that still manages to be quite exhilarating.
Guidry has found a lot of creative solutions to bringing Barryβs power to the page.
GrΓΈnbekk weaves a particularly compelling chapter for the Catwoman.
King returns Wonder Womanβs comic book to...Wonder Woman.
Campbell's run with Supergirl ends its first year with kind of an exhilarating ride.
Thereβs real love here and Waid is bringing it to the page beautifully.
Wilson continues a darkly comic and deeply nuanced supernatural drama.
A staggeringly aggressive 9-page fight sequence
Takaraβs mastery of dramatic subtlety looks particularly brilliant.
There is some degree of poetry in Snyderβs script.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyderβs concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Wilson does a strikingly clever job with the foreshadowing.
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
Palmiotti and Conner find a pretty solidly entertaining tone.