A dialogue/caption-heavy issue that feels like it could have been framed better.
All in Drama
A dialogue/caption-heavy issue that feels like it could have been framed better.
While the flashbacks do some work providing details about Apocalypse in the dystopian utopia of The Age of X-Man, they seem unnecessarily tacked-on to an issue that isn’t doing a whole heck of a lot else.
Overcomes a disjointed plot structure to maintain the intrigue.
Another thoroughly satisfying chapter in the life of hitman/A&R guy Martin Mills.
Mystery continues to bleed and pulse around the edges of aggression in a prison for super-humans.
Groom plays with expectations in a twist on certain cyberpunk sci-fi conventions.
Complexity looks good on Vindication as detective and suspected murderer come face-to-face.
Continues to make the unique web-slinging corner of the Marvel Universe feel fresh in spite of the fact that it’s been around for over half a century.
For a sustained six pages, the book doesn’t even FEEL like a mainstream superhero comic.
The Soskas have a very sophisticated grasp of what makes Black Widow such an interesting character.
Comedy finds more cleverly inventive off-center narrative as the mystery deepens.
A mix of weird fiction that still manages to find the gravity of serious drama.
A horrifyingly enjoyable issue-length celebration of revenge.
It’s a valiant attempt at covering the fallout of the death of a legendary villain.
A heroine edges further into darkness at the prospect of a criminal actually reforming.
Physical action fades out into the background of an issue which intensifies intrigue.
Seanan McGuire is steering the title right into, “The Age of X-Man’s” greatest flaw.
A story that’s deeply grounded in personal drama.
With Earth’s forces so completely overpowered, this issue of The Warning feels…like a disaster story
Young and Corona are wisely allowing the fantasy to be fantastic on its own.