Carves an emotionally engaging, little corner of the Marvel Universe with a series that meets a satisfying end.
All in Drama
Carves an emotionally engaging, little corner of the Marvel Universe with a series that meets a satisfying end.
The X-Tracts make for a particularly interesting bit of drama their third time out.
The mood for the entire series is nothing if not consistent.
This issue sets-up for a crescendo of action that will likely follow in an even more appealing seventh issue.
A straightjacketed mistress of magnetism has a chance encounter with a couple of keys, and then all hell breaks loose.
Williams delves a bit deeper into the inner psychology of romance in a world where love is outlawed in a well-constructed emotional narrative.
Dr. Strange contrasts against Galactus and Dormammu in a fun interaction that doesnβt quite live up to its potential.
The series take on a refreshingly fairytale storytelling quality as the origins of the mysterious world of Azoth are revealed.
A somewhat intriguing look into the nature of history in a world of lies.
A major early turning point in the series feels every bit as ominous as it should be.
Bendis, Walker and Campbell deliver the story with enough impact to make it feel reasonably compelling.
Middlewest swings into a clever bit of momentum with this issue.
The first arc of the smartest funny animal comedy around today makes an engagingly witty end in its sixth monthly installment.
Jeremy Whitley thoughtfully fuses genres in an endearingly unique chapter in the lives of the latest incarnation of The Wasp and her friends at Genius In action Research Labs.
A dialogue/caption-heavy issue that feels like it could have been framed better.
While the flashbacks do some work providing details about Apocalypse in the dystopian utopia of The Age of X-Man, they seem unnecessarily tacked-on to an issue that isnβt doing a whole heck of a lot else.
Overcomes a disjointed plot structure to maintain the intrigue.
Another thoroughly satisfying chapter in the life of hitman/A&R guy Martin Mills.