Madripoor feels very much like a natural habitat for Black Cat.
All in Drama
Madripoor feels very much like a natural habitat for Black Cat.
A massive issue which features a major turning point for the hero and a host of supporting stories.
Denny looks compellingly pummeled and disheveled as events rush around him.
Young provides just enough room in all the drama for Corona to give the world of Middlewest its unique visual fantasy.
it’s doing what it’s doing with so much sharp energy that it scarcely matters that it’s all heading in an obvious direction.
An infiltration of a dystopian government facility doesn't live up to the intensity it should have had.
The graceful integration between art and story expands to fill a full issue quite well.
It’s appealing to see MJ’s relentlessness in completing the project.
MacKay’s fusion between humor and action continues to make this series one of Marvel’s most satisfying.
Writer David Hine and artist Brian Haberlin’s story increases in complexity.
The debut of the new series conjures-up a clever concept in an urban fantasy setting that feels fresh and distinct.
The menace might not be delivered completely, but Allor and Walter smartly render the complexity of Cobra.
A very sharp debut for a very promising new mini-series.
With great responsibility comes great exhaustion.
Young does a good job with the balance and pacing of this issue.
Another exciting issue of a very provocative series.
Allor’s third chapter lacks some of the grit and aggression of the first two.
The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
The weird complications of principal photography on a supervillain-helmed movie continue to cast light on a cleverly under-developed end of the Marvel Universe.
It’s fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.