Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
All in Drama
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
A novel approach to dark fantasy in a world of conspiracy.
The modern-day witch-based horror/fantasy series opens with some endearing wit and a whole lot of potential.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Contemporary fantasy glides along through another appealing issue.
Castellucci is playing with subtly deeper darkness.
Selina returns to Gotham in a promising new direction for her series.
Largely fails to embrace the possibilities of spy-based drama on the comics page.
Poetic notes populate an issue that is somewhat sparse on the visuals.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
The horror flooding through Colleen is heartbreaking.
Thompson deftly manages a very narrow characterization for Black Widow.
Watters soaks the page with metaphor.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant
Cecil Castellucci’s distinct take on Batgirl’s themes slides somewhat gracefully across the page.
One of the more satisfying issues in the series thus far.
Allor is careful not to cast the journey to recovery as an overly simplified beginning-to-end scenario.
An issue that glides gracefully through a couple of major plot points.
A clear and articulate adventure