Tamaki carves a lot of poetry into the plot.
All in Drama
Tamaki carves a lot of poetry into the plot.
Writer Bryan Hill develops a script that’s as smart as it is witty.
The coming-of-age/frontline combat story continues to find a potent pulse in the series’ third issue.
The specifics may feel weak, but the drama has enough gravity to hold together the story.
Writer Cavan Scott tells a concise tale of contemporary fantasy that is brought to the page with some intensity by artist Jose Lucas.
Tynion IV dives into the deep, deep darkness of contemporary consciousness.
Wilma may be the one element of the story that feels fresh and original.
Tamaki frames the climactic battle in a throne room on the other side of the planet.
It's a muddled farrago that still has the potential to turn into something more.
Writer and artist manage a very emotionally engaging one-shot.
A dark journey dwells on very intense events in the youth of the title character.
Allor gives Dr. Mindbender just enough depth.
A provocative 21st-century update on the Joker concept.
Kelly Thompson continues a tale of a misplaced amnesiac Marvel super-spy.
Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
An enjoyable 16-pager that weighs aggressive action against more nuanced interpersonal matters between two superheroes.
The simple application of history to the legend of Themyscira makes for a fun, little excursion into Diana’s childhood.
A story that is weighted so heavily in dialogue really has no business working this well in a comic book format.
Dan Panosian’s story develops further intrigues.
A surprisingly well-balanced final chapter written by Cecil Castellucci.