It is so very rare that a superhero script truly seems at least kind of unpredictable.
All in Drama
It is so very rare that a superhero script truly seems at least kind of unpredictable.
Raynor draws heavy shadows over everything.
Johns is clearly going for something very, very ambitious.
Ewing runs through the opening issue with a degree of grace that matches that of his main character.
It’s not much, but it’s an ending.
It’s kind of fun to see all of the sidekicks that Johns has created for Golden Age heroes.
Campbell has found an appealing way to make Mary Marvel seem that much cooler than Parker and Beck’s Captain Marvel.
Silence and precision are the perfect pairing for a “silent comic” format.
It’s always fun to see two Wonder Women team up.
Zub and Fawkes have real potential in a series focusing on Arcade and Murderworld.
Rowell fully embraces the more dramatic end of the fourth wall.
So much of what Tynion is doing rests between the moments of the story.
Lolli and Baldeón are clearly having a lot of fun.
A deliciously clever approach.
The series isn’t spending nearly enough time focussing on Courtney.
Cloonan and Conrad elevate things quite a bit.
There is much that is gruesome and appealing on the page.
A clever scriptwriter who also happens to have a deep love for the world in which he’s writing.
Profoundly clever characterization.
Phillips makes it work beautifully with some insanely witty dialogue.