the inescapable gravity of the format crushes anything meaningful.
All in Drama
the inescapable gravity of the format crushes anything meaningful.
Bennett rolls somewhat gracefully through the motions.
Waid paces the action remarkably well.
Tynion is simply presenting the story of Betty and Barney Hill.
Rowell’s pacing is just so...indie.
Young Diana hits a particularly breathtaking high point.
Slott takes a reasonably sophisticated approach.
Straight-ahead action mystery.
Wall and Haberlin set up quite a challenge for themselves.
A fair amount of the issue is dialogue-heavy exposition
On the surface, there REALLY isn’t much to the story.
MacKay crosses the midway point of the series with style and poise.
Without the usual trappings of a Batman story, it’s just...Bruce Wayne.
There’s a steady rhythm to the opening issue.
Wilson gives Ivy quite a bit of happiness this issue.
The conflict between Scarlet Witch and Nightmare’s daughter is cleverly rendered.
It is so very rare that a superhero script truly seems at least kind of unpredictable.
Raynor draws heavy shadows over everything.
Johns is clearly going for something very, very ambitious.
Ewing runs through the opening issue with a degree of grace that matches that of his main character.