Wells brings a fugitive Spider-Man story into very sharp focus.
All in Drama
Wells brings a fugitive Spider-Man story into very sharp focus.
Very familiar characters don’t come across as being particularly interesting.
It really just looks like they took a staggeringly high-resolution scan of 44-year-old toilet paper.
There is some intrigue involving political ambitions.
The drama driving the story IS interesting.
Culver is covering some very familiar ground.
There’s a lot to capture the reader’s attention.
Bennett finds a remarkably clever little issue for Batman.
The Catwoman in the street is A LOT more intriguing than the one behind bars.
When you wake up in the morgue, the first thing you’re going to want to do is call your girlfriend.
A particularly nice embrace of a new season.
Conrad and Cloonan’s run on Wonder Woman feels like it’s going to be an intrepid triumph.
Cantwell is opening the series in uncertainty.
Janin and Ordway play to a rather deft balance between action and drama.
It’s a fun one-shot adventure.
Wilson’s satirical wit slices through wealthy southern California health culture.
Ayala is doing a good job of pacing the series.
Silvestri’s work makes good use of one of the more iconic cities in the DC Universe.
There’s quite a bit of power in Batman digging up the grave of Bruce Wayne.
Zama’s scratchy hatching feels strikingly characteristic of…manga.