Rodriguez’s heavy inks make for deeply expressive action.
All in Drama
Rodriguez’s heavy inks make for deeply expressive action.
Leon is brilliantly fluid with the sense of motion in the action.
Grayson takes her time getting everything lined up.
It’s been a fun journey.
The three-person writing team is juggling a lot.
So much of it lacks any real depth.
Adams is starting from a really nice point for any hero.
Liesel comes across as a fun hero here, but she deserves better.
Orlando does a brilliant job.
Waid solidly establishes what’s going on.
It loses its momentum once things get wacky.
Wilson is working brilliantly with both psychological and supernatural horror.
Rosenberg struggles to keep the stories distinct.
Landy gets pretty heavy with the narration.
At its heart, Bennett’s story makes for a really fascinating read.
Genolet and Quinones have a wit about their art.
Waid clearly differentiates between the personalities and ideals of Clark and Bruce.
Moore’s style approaches Hell in a very straightforward way.
Howard finally found a dynamic that works with Selina.
It feels like they’re doing something quite new with Diana.