Sorrentino has a gift for bringing breathtakingly real visages,
All in Drama
Sorrentino has a gift for bringing breathtakingly real visages,
Burnett has a beautiful grasp of kinetic motion in action.
Adams and company take a well-balanced approach to Hal and his life.
Kudrański is taking his time with the story.
Another well-rendered, well-modulated issue.
Barnes manages a very heartfelt iteration of the premise.
Wagner and Dabbs conjure a brilliantly expressive first issue.
Cady weaves the opening to the series with a tight, little ensemble of characters.
It’s a nice progression from the first to the fifth issues.
A political and intellectually rendered anti-hero.
Taking away the names, the fame, and the legend allows Chaykin to focus his history on the people who built an industry.
Pacat and company continue to craft an appealing story.
The basic symbolism in Tomasi’s story is solid enough to carry the plot.
The work of some really impressive talents.
Skroce has been using the series as something of a portfolio for his work.
Howard’s crisp dialogue and clever delivery keep things moving along beautifully.
Wells manages things as best as possible.
Landy does little to illuminate matters.
Hudlin and Chills keep the story centered solidly enough.
Morrison’s prose for the Hallmark story has a dreamy poetry about it.