Just over half of the issue is an interrogation in Purgatory.
All in Drama
Just over half of the issue is an interrogation in Purgatory.
Bendis’s dialogue isn’t poetically brutal so much as it is...terse.
Something a lot darker than your standard Disney movie.
The action smears itself across the page like a thick mucus.
Simonson deftly captures the rhythm and style of late 1960s’ Kirby and Lee.
Wilson’s dialogue is as crisp as ever.
Mignola and Roberson do a very clever job of establishing the story's place in history.
The drama-heavy issue is filled with lots of moody, atmospheric silences.
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.
Venditti and McKinney pound the story into the page with a clever poetry.
Williamson has a classy sense of language.
Bayliss and Monti keep the emotional end of the conflict solidly grounded.
Waid’s narrative is subtly trippy on a number of different levels.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.
Andolfo and Blengino move the action around with a deft hand.
As a writer, Kubert knows her own strengths as an artist.
It’s a simple and primal idea.
A Culver-written Zatanna series would be great fun.