Burnett knows how to frame a heroic adventure.
All in Drama
Burnett knows how to frame a heroic adventure.
Just over half of the issue is an interrogation in Purgatory.
Bendis’s dialogue isn’t poetically brutal so much as it is...terse.
Something a lot darker than your standard Disney movie.
The action smears itself across the page like a thick mucus.
Simonson deftly captures the rhythm and style of late 1960s’ Kirby and Lee.
Wilson’s dialogue is as crisp as ever.
Mignola and Roberson do a very clever job of establishing the story's place in history.
The drama-heavy issue is filled with lots of moody, atmospheric silences.
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.
Venditti and McKinney pound the story into the page with a clever poetry.
Williamson has a classy sense of language.
Bayliss and Monti keep the emotional end of the conflict solidly grounded.
Waid’s narrative is subtly trippy on a number of different levels.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.
Andolfo and Blengino move the action around with a deft hand.
As a writer, Kubert knows her own strengths as an artist.
It’s a simple and primal idea.