Schultz moves the action through the pages with a deft and witty hand.
All in Drama
Schultz moves the action through the pages with a deft and witty hand.
A fascinating cosmic psychodrama.
Phillips thrusts Gwen into a fish-out-of-water adventure.
A pretty sharp way to cast a supervillain in a new light.
It’s a fun mash-up.
Portella’s art is exquisite.
It just feels real on more levels than it has any right to be.
The visuals DO step-up once the action sets-in,
Wagner’s anti-hero is a lot of fun to hang out with.
Thompson finds a strikingly natural way to split-up the team.
There’s a delicious graininess to Jones’ art.
Orellana draws on quite a few different elements to wrap-up the series.
It's really fun to see what Wilson is doing.
Wong’s crisp scripting keeps the action moving.
It’s sharply clever stuff.
Vecchio plays with the mutability of reality.
Tynion’s script remains as appealing as it is.
Loughridge finds a suitable end point for a series.
Shalvey could really expand this one issue into a whole series.
Azaceta can say a tremendsous amount with only a few line.