Bennett gives the art team plenty of room to work.
All in Drama
Bennett gives the art team plenty of room to work.
Phillips cleverly balances the script between the cosmic and the interpersonal.
Wagner does a rather brilliant job of showing Rennie’s own vulnerability.
Scott has a bit of fun with mixing the fourth wall with everything else.
Tieri makes it work quite well.
Starer’s large ensemble in a small town approach is actually a lot more fun than it has any right to be.
It’s a fun opening.
Nearly EVERYTHING looks kind of cute on some level.
Villanelli and Milla work together quite well.
Wong has been sharp about keeping Psylocke moving.
The series continues to sparkle with wit and drama.
Totally un-self-conscious attempt to dive right into the quirkiness of hte storytelling.
Schultz IS using the format to dive into aspects of Laura’s personality.
Remenber and Posehn maintain a certain amount of energy and momentum.
It works.
Thompson has a few major elements in focus for the issue.
Brombal takes the bold move of tearing Batgirl almost entirely away from the title character.
Cantwell and Waid have some fun with an earlier 20th century version of Batman and Superman.
Decades later Claremont returns to the Kitty/Wolverine dynamic.
Rosenberg juggles a fascinating and colorful extended cast.