The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
All in Female Lead
The new team has a solid grasp of the heroine at her worst in a very appealing first issue.
The weird complications of principal photography on a supervillain-helmed movie continue to cast light on a cleverly under-developed end of the Marvel Universe.
The last issue left fans with numerous questions, wondering what had happened to earth’s mightiest hero; had Captain Marvel finally gone rogue? In Captain Marvel #13, writer Kelly Thompson begins to reveal the shocking true story of what’s going on…
Writer/artist/letterer John Upchurch takes a spin with the old cliche in a world of humans and werewolves.
A young hero leads a group of mid-list superheroes on a mission to save Death.
Dives into the overall emotional state of a young architect who just happens to be a superhero.
It’s fun, but it lacks the edgy depth that Humphries and Basri have lent to the series this past year.
The interpersonal drama comes to the fore in an engaging story revealing a bit more about Becky’s personality.
The departure from a narrow focus on Felicia compromises the charm of the series.
This issue shows some promise as the series begins to reach its end.
Something is wrong with the men in Sunnydale in Buffy the Vampire Slayer #10.
In The Magnificent Ms. Marvel #10 — written by Saladin Ahmed with art by Minkyu Jung, inks by Juan Vlasco, colors by Ian Herring, and letters by VC's Joe Caramagna — Kamala's hectic life spirals more out of control despite her best attempts to stay on top of everything.
A very clever contrast between hero and villai makes for a very satisfying issue.
Ewing and Aaron manage to find a really novel new way to defeat an old villain.
Writer Mark Waid wraps things up quite nicely in an issue drawn by Mattia De Iulis.
Writer Seanan McGuire carves out a little more uneasy narrative terrain for the young superhero.
Sometimes, family isn’t who you’re born with. It’s who you find along the way.
Marvel’s Mutant strike force returns, and they’re open for revenge.
One of the best comics of the week, marred by some genuinely troublesome color choices.
It feels like little more than a pale echo of something that might have been deeper.