An appealingly simple issue-length struggle.
All in Female Lead
An appealingly simple issue-length struggle.
A fairly even mix of earthbound life and the magic of something much bigger.
Hine’s script lacks the proper framing for overwhelming events.
There’s a refreshing newness about Aero that Liefen is casting in clean simplicity
A jarring departure from the high weirdness that cartwheeled through the title in the second half of 2019.
The emotion is strong in a story with a plot just outside the realm of easy comprehension.
Sometimes being a hero means you have to make impossible decisions; a lesson Kamala learns in The Magnificent Ms. Marvel #12.
Madripoor feels very much like a natural habitat for Black Cat.
A massive issue which features a major turning point for the hero and a host of supporting stories.
The darker earthbound elements of Batgirl’s life take a backseat to fantasy-driven psychodrama in a satisfying issue.
The series gains momentum in a satisfying second issue.
An infiltration of a dystopian government facility doesn't live up to the intensity it should have had.
Ewing and Aaron give the cosmic end of the Marvel Universe a strikingly emotional core.
Once again, Buffy the Vampire Slayer continues to be an MVP title for Boom! Studios.
Clean and kinetic without too many loose ends.
Houser and company find something appealing in another hero-vs-hero story.
Writer Seanan McGuire weaves a very cleverly crafted, little web-slinger story.
The graceful integration between art and story expands to fill a full issue quite well.
It’s appealing to see MJ’s relentlessness in completing the project.
MacKay’s fusion between humor and action continues to make this series one of Marvel’s most satisfying.