Thompson deftly manages a very narrow characterization for Black Widow.
All in Female Lead
Thompson deftly manages a very narrow characterization for Black Widow.
Watters soaks the page with metaphor.
Cate and Kate are just...really, really fun.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant
Cecil Castellucci’s distinct take on Batgirl’s themes slides somewhat gracefully across the page.
One of the more satisfying issues in the series thus far.
A sexy fascist villain returns with a pleasantly crude political satire.
Allor is careful not to cast the journey to recovery as an overly simplified beginning-to-end scenario.
An issue that glides gracefully through a couple of major plot points.
A clear and articulate adventure
So it is that a certain clown girl ends the run of her current series.
An enjoyable issue that peers a bit more into the psyche of Selina Kyle.
The decision to split the hammer of the Accuser into four parts was either Captain Marvel’s best idea or her worst…she’s about to find out which it is.
Erickson is trying to navigate Diana through a bit too much for a single, 16-page issue.
The war against plant aliens the Cotati is getting personal for Carol in Captain Marvel #19. It's becoming difficult to see where loyalties lie in this high stakes story…
Big Girls #1 is a thrilling read that should be part of everyone's pull list.
Writer David Hine and artist Brian Haberlin celebrate the "silent comic" format.
A very well-executed issue.
Another tightly-crafted one-shot story.