Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
All in Female Lead
Tamaki strikes a powerful balance between youth and malice with a compelling, new villain.
Edginess comes across as childishness. It almost works.
The modern-day witch-based horror/fantasy series opens with some endearing wit and a whole lot of potential.
Pacheco finesses a lot of things in this issue that really have no business working as well as they do.
Contemporary fantasy glides along through another appealing issue.
Castellucci is playing with subtly deeper darkness.
Aero has her own action in the issue, but for the most part, she might as well be tech support for Tony Stark.
Selina returns to Gotham in a promising new direction for her series.
Largely fails to embrace the possibilities of spy-based drama on the comics page.
After a months-long hiatus, Kamala is back in The Magnificent Ms. Marvel #14, an intense, emotional story that takes place in the aftermath of Outlawed #1.
Captain Marvel #21 is an action-packed story from writer Kelly Thompson, penciler Cory Smith, inker Adriano Di Benedetto, colorist Tamra Bonvillain, and letterer VC's Clayton Cowles. Wrapping up the Empyre tie-in arc while also revealing the fate of Carol's newfound sister Lauri-ell.
Tamaki and company dive more in-depth into themes of truth and fabrication in a fast-moving action story.
The cat is hypnotically cute.
Thompson deftly manages a very narrow characterization for Black Widow.
Watters soaks the page with metaphor.
Cate and Kate are just...really, really fun.
Aero begins to feel a bit more like a part of a larger tapestry.
Nearly everything that Tamaki is putting on the page is powerful and resonant
Cecil Castellucci’s distinct take on Batgirl’s themes slides somewhat gracefully across the page.
One of the more satisfying issues in the series thus far.