The series isn’t spending nearly enough time focussing on Courtney.
All in Female Lead
The series isn’t spending nearly enough time focussing on Courtney.
The descent to rock bottom hits the page beautifully.
Cloonan and Conrad elevate things quite a bit.
Conrad and Cloonan have built up such impressive momentum.
There is much that is gruesome and appealing on the page.
Brown frames the script for the third chapter from clever angles.
A clever scriptwriter who also happens to have a deep love for the world in which he’s writing.
Profoundly clever characterization.
Conrad and Cloonan set up the action with clever precision.
The second issue leaves a lot of mystery in the margins.
Phillips makes it work beautifully with some insanely witty dialogue.
Somehow the Howards manage to keep Punchline fascinating through the end of the issue.
The distinct fusion between action, intrigue, and....parenting is a fascinating one.
#8 is a She-Hulk without She-Hulk.
The rich visual world that Craig is putting on the page is a lot of fun.
Cloonan and Conrad do a brilliant job of drawing Wonder Woman, Superman, and Batman together.
Cozy corporate sci-fi action.
Zornow’s rubbery werewolf has a wonderful expressiveness.
The balance of Jen’s life is evenly distributed.
Wilson’s dive into the psyche of Ivy gets considerably deeper and darker.