Rowell fully embraces the more dramatic end of the fourth wall.
All in Female Lead
Rowell fully embraces the more dramatic end of the fourth wall.
Lolli and Baldeón are clearly having a lot of fun.
A deliciously clever approach.
Major events to carry a hell of a lot of gravity.
The Blasphemy Cartel deserves a more compelling leader.
The series isn’t spending nearly enough time focussing on Courtney.
The descent to rock bottom hits the page beautifully.
Cloonan and Conrad elevate things quite a bit.
Conrad and Cloonan have built up such impressive momentum.
There is much that is gruesome and appealing on the page.
Brown frames the script for the third chapter from clever angles.
A clever scriptwriter who also happens to have a deep love for the world in which he’s writing.
Profoundly clever characterization.
Conrad and Cloonan set up the action with clever precision.
The second issue leaves a lot of mystery in the margins.
Phillips makes it work beautifully with some insanely witty dialogue.
Somehow the Howards manage to keep Punchline fascinating through the end of the issue.
The distinct fusion between action, intrigue, and....parenting is a fascinating one.
#8 is a She-Hulk without She-Hulk.
The rich visual world that Craig is putting on the page is a lot of fun.