Brusha’s plot structure moves things along swiftly.
All in Female Lead
Brusha’s plot structure moves things along swiftly.
Just over half of the issue is an interrogation in Purgatory.
Grønbekk opens the series with a well-woven first issue.
Avallone has more than a few genuinely funny moments here and there.
Mignola and Roberson do a very clever job of establishing the story's place in history.
The whole thing feels remarkably engaging.
Venditti and McKinney pound the story into the page with a clever poetry.
The big climactic conclusion is seriously funny.
Waid’s narrative is subtly trippy on a number of different levels.
Andolfo and Blengino move the action around with a deft hand.
As a writer, Kubert knows her own strengths as an artist.
A Culver-written Zatanna series would be great fun.
Things seem to shift quite a bit in the first half of the first issue.
Ravager feels like one of the more sophisticated treatments of the nightmare realm.
Ilhan and Morales openly embrace the garish nightmare.
A sharply clever job of articulating bewildering complexity.
Kim works with standard sci-fi tropes.
Rowell falls into uncomfortable romantic comedy territory.
Liu’s work is deep and resonant.
In theory, it should be a lot of fun.