There’s a lot of backstory that’s delivered.
All in Female Lead
There’s a lot of backstory that’s delivered.
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.
It all fuses together on the page.
Pirzada’s script juggles quite a few characters.
Benitez and Chen manage a pretty tight chapter.
Thompson’s brilliantly casual wit animates Scarlett’s narration.
Northcott is exploring things that move in strange directions.
Young’s pacing for the issue is more or less perfect.
Grønbekk plays with the strange and unsettling.
Lee deftly handles the rather subtle intricacies of uncertainty and ennui.
Bennett is really setting the stage for something massive.
A pretty cool idea that McFarlane totally fails to live-up to.
Lieberman has a solid grasp of the basic action of the story.
Benitez and Cheng construct a very solid first quarter for their new series.
Thompson nails the balance perfectly.
It's all moving with the right kind of momentum.
Grønbekk has an inventive flair for traditional sword-and-sorcery.
It’s one, long interrogation.
Niles wraps-up the tale with a very brisk set of action-based pages.
There really IS a kind of weighty reality that Priest is bringing to the page.