A definitive moment for the Hulk and Thing moving forward.
All in Horror
A definitive moment for the Hulk and Thing moving forward.
Department of Truth continues to be one of the sharpest new series in a very tumultuous year.
Tynion IV dives into the deep, deep darkness of contemporary consciousness.
Narrative coherence bleeds around the edges of the dark poetry in a satisfying eighth issue.
A story that is weighted so heavily in dialogue really has no business working this well in a comic book format.
Dan Panosian’s story develops further intrigues.
The overall sense of immensity and impending doom seems missing in an otherwise enjoyable finale.
The murky poetic mess of the narrative is great fun.
The modern-day witch-based horror/fantasy series opens with some endearing wit and a whole lot of potential.
Poetic notes populate an issue that is somewhat sparse on the visuals.
The horror flooding through Colleen is heartbreaking.
If this issue isn’t proof that Bruce Banner is suffering under some sort of lifelong, bad luck “Thinner” curse, what else would it take to convince you?
Tini Howard’s hand-to-mouth fringe poverty milieu is rarely-tread territory for the vampire genre.
A somewhat enjoyable issue.
A bold approach to the series' next major plot arc.
Hulk sees a rare period of public acceptance, due to his heroics, but it’s not all sunshine and roses.
Boothby's wit is particularly sharp in a story of a father and his daughters.
There’s a hell of a lot of activity in this issue.
A nice break from the usual focus on the titular hero and still manages to move the story forward in a meaningful way.
This issue is Ewing at his best, plain and simple.