Ilhan and Morales openly embrace the garish nightmare.
All in Horror
Ilhan and Morales openly embrace the garish nightmare.
Cox puts Kong firmly in the background.
A sharply clever job of articulating bewildering complexity.
Percy has the basic elements of horror action done remarkably well
The writing team focuses on the street-level aspects of the supernatural.
Lemire tackles the drama with a solid sense of mystery.
Liuβs work is deep and resonant.
Starks gives Gabby and Trudy a suitably enjoyable end.
Prince has a poetic sense of darkness.
Mignola and Roberson handle the story in a straight-ahead fashion.
Tynion has a way of twisting cliche until it confesses some kind of strange truth.
Segovia shows some talent for pushing around the demonic muscle.
Pires and White have a clear and definite idea of where theyβre going with the story,
Soule walks a fine line.
Thereβs just enough tone and mood to the visuals to keep the pages turning.
Avallone playfully pushes Elvira through a couple of scenes.
Monomyth is solidly entertaining.
Cantwell has a gift for dynamic, punchy dialogue.
Itβs really cool to see Mackie getting back in touch with his version of the character.
Everything fits together remarkably well.