Jordan’s concept continues to hold a great deal of potential.
All in Horror
Jordan’s concept continues to hold a great deal of potential.
It's both silly and absurd, while also being very appealing as an action horror concept.
There is a considerable amount of poetry in the fantasy that Barbiere is binding to the page.
Tynion and Bellaire keep the plot, moving in a couple of really tightly written scenes.
Silvestri puts together a few scenes that are solidly entertaining.
A premise like this should have overstayed its welcome after … the first couple of pages.
Harns firmly establishes a basic mood and tone for the series in the first issue.
Sniegoski constructs a story that features some very clever and interesting supernatural, and theological aspects.
Birks has done an admirable job.
Johnson firmly establishes the sense of action.
Poke comes across as a deeply relatable character.
The latest developments at the end of the 35th issue seem quite promising.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue
Jordan outlines a particularly clever idea.
Bram and Jones drag their horror drama further into the dry and dusty light of day.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
The Power Fantasy is incredibly dense stuff. I
Bellaire does a remarkable job of granting exactly the kind of mood.