Tynion’s story jumps across the first quarter of the 21st century.
All in Image Comics
Youngblood #2 // Review
Liefeld is throwing way too much at the page.
I Hate Fairyland #46 // Review
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
The Darkness #1 // Review
Given the right narrative momentum The Darkness could really turn into something interesting.
The Voice Said Kill #4 // Review
Spurrier is definitely moving into allegorical ground at the end of the series.
Rook: Exodus #9 // Review
Johns manages some are very deft work in delivering a two-part issue.
Inferno Girl Red Book Two #1 // Review
Groom delivers a story that works on multiple different levels.
The Department of Truth #34 // Review
James Tynion is working through a crucial period.
Escape #4 // Review
Remender does a strikingly clever job.
Geiger #18 // Review
The Glowing Man’s visual signature is really impressive.
Hornsby & Halo #12 // Review
Snejgjerg has a sharp and sensitive execution.
Universal Monsters: The Invisible Man #4 // Review
Tynion frames the central conflict of the film as the series draws to a chlling close.
Skinbreaker #3 // Review
Kirkman is clearly trying to render some sort of conflict.
Hector Plasm: Hunt th Bigfoot #2 // Review
Cereno has a very sharp sense of the dramatic.
Final Boss #1 // Review
It’s big. It’s dumb. It’s stupid.
Exquisite Corpses #7 //
The plot intensifies.
We’re Taking Everyone With Down Us #6 // Review
Rosenberg cranks-up the pacing considerably at the end of the series.
The Power Fantasy #13 // Review
The sheer density of Gillen’s writing reaches something of a critical mass.
Witchblade #17 // Review
There's an overwhelming intensity about the story.
Artificial #3 // Review
Llovett anchors her narrative very, very closely on the three central characters.