The balance in the script and the pacing is almost perfect,
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The balance in the script and the pacing is almost perfect,
Zchut he's working with a great deal of metaphor.
Cannonβs scripting leaves a lot of delicious ambiguity around the edges.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how theyβre allowing the game to unravel.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Tynionβs story jumps across the first quarter of the 21st century.
Liefeld is throwing way too much at the page.
Young isn't just spoofing Mary Shelley's classic novel. There's a lot more going on here than that.
Given the right narrative momentum The Darkness could really turn into something interesting.
Spurrier is definitely moving into allegorical ground at the end of the series.
Johns manages some are very deft work in delivering a two-part issue.
Groom delivers a story that works on multiple different levels.
James Tynion is working through a crucial period.
Remender does a strikingly clever job.
The Glowing Manβs visual signature is really impressive.
Snejgjerg has a sharp and sensitive execution.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Kirkman is clearly trying to render some sort of conflict.