The plot thickens in another interesting journey into horror with a cleverly iconic ensemble of characters.
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The plot thickens in another interesting journey into horror with a cleverly iconic ensemble of characters.
It's a surprisingly engrossing opening for the series.
The horror for the story arrests, largely around the edges of everything.
Tomasi takes traditional science fiction concepts that aren't uncommon to comic books and finds a new way to present them on the page.
Murphy has a salad understanding of what needs to happen in order for action to make it to the page in a way that's both emotionally and intellectually compelling on its own.
Burnett picks up the sky style and really runs with it.
Continues to show some promise and it's second issue.
Lee's artwork cuts and slashes across the page
Fleecs move away from the large ensemble dynamic.
The series feels very fresh and familiar at the same time.
A very pure and consistently atmospheric rendering of the basic premise..
March set up an interesting parallel between the two different stories featuring the same character.
The fifth series of Creepshow is off to a really good start with the first issue.
The art fuels like it has enough gravity to keep the momentum going as the series reaches its midway point.
Peter J. Tomasi and artist Peter Snejbjeerg continue to expand The Unbelievables Universe with a fun, new crop of paranormals.
The Energon Universe aspect of the series really seems to have come of age.
Seems to be picking up some kind of narrative momentum.
Things speed up in the penultimate issue of a series.
s not a deliciously, appealing sort of horror.
It's elegantly bleak stuff.