The balance in the script and the pacing is almost perfect,
All in Sci Fi
The balance in the script and the pacing is almost perfect,
Shalvey and McConville set up a very simple premise that is very easy to follow.
The issue gets a lot of mileage out of the image of a cold, emotionless T-800 terminator unit in a Santa suit.
Abstract and intellectual emotional drama.
Williamson frames familiar action in a fresh way.
Brisson isn’t going for anything too terribly complicated here.
It’s a kind of selflessness that rarely gets framed as cleverly as Pepose is managing here.
Orlando has a really clever approach here.
Russell has developed a fun sort of a atmosphere for what it is that he's doing.
Llovet tells a very traditional style romantic triangle story.
Tomasi takes a lot of time in rendering the central conflict.
It's a strange experiment.
Llovet keeps the essence of the story almost annoyingly simple.
Shalvey renders a remarkably sharp distillation of the film franchise.
Walsh weaves the heavier horror of the story.
It’s really, really easy to dismiss a whole lot of what Sitterson is doing.
A pretty sharp way to cast a supervillain in a new light.
It just feels real on more levels than it has any right to be.
Loughridge finds a suitable end point for a series.
Sanchez’ art has a refreshingly familiar Barry Windsor Smith feel.