Soule walks a fine line.
Soule walks a fine line.
There’s just enough tone and mood to the visuals to keep the pages turning.
Avallone playfully pushes Elvira through a couple of scenes.
Johnson works fluidly with the standard trappings of a Bond story.
Monomyth is solidly entertaining.
Godlike aggression exploding across the page.
It's just really fun to see something like this attempted.
This sort of thing has been done before,
There is a genuine sense of warmth about the opening.
Ziglar is moving around a lot on the page.
Ayodele has a clever way of allowing a moment to play out.
Cantwell has a gift for dynamic, punchy dialogue.
Kelly and Lanzing clearly have a very solid perspective on how to handle things.
It’s really cool to see Mackie getting back in touch with his version of the character.
Everything fits together remarkably well.
Lore has everything really well lined-up,
Howard moves the plot through a hell of a lot of different angles.
Schultz is clearly having a lot of fun.
Madness of psychological horror with the magic of supernatural horror.
Narratively, it’s a bit of a weird fusion.