GrΓΈnbekk opens the series with a well-woven first issue.
GrΓΈnbekk opens the series with a well-woven first issue.
Avallone has more than a few genuinely funny moments here and there.
Brown isn't quite pacing things right.
Bendisβs dialogue isnβt poetically brutal so much as it is...terse.
The title character serves as more of a sidekick
Itβs a fun opening to a fast-paced action drama.
Something a lot darker than your standard Disney movie.
The action smears itself across the page like a thick mucus.
Simonson deftly captures the rhythm and style of late 1960sβ Kirby and Lee.
Marzβs 1990s Marvel Universe continues to feel exceedingly comfortable.
Wilsonβs dialogue is as crisp as ever.
Mignola and Roberson do a very clever job of establishing the story's place in history.
The drama-heavy issue is filled with lots of moody, atmospheric silences.
Wells has really switched the direction of the series into action/comedy mode.
The whole thing feels remarkably engaging.
The casual brutality at the end of the issue is a bit intense.
Venditti and McKinney pound the story into the page with a clever poetry.
Mendonca and Lucas maintain a crazy energy about the nightmare.
Williamson has a classy sense of language.
The big climactic conclusion is seriously funny.