Williams crams a lot of story into just a few pages.
Williams crams a lot of story into just a few pages.
Manages to remain remarkably character-centric in spite of all of the sci-fi tropes that are being explored.
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
A really beautiful kind of pacifism works in this particular story.
Motion lines. They’re abusing motion lines.
Bertram’s work is brutally surreal.
Krajewski and Muro develop a really social sort of an opening narrative.
The dialogue is quick and crisp.
MacKay shows that he has a really solid grasp of what makes the X-Men appealing.
The second year of the series begins with a solidly entertaining issue.
The clever bit is Thompson’s ability to modulate the aggression of the action.
Wilson ends her second year with Pam in an emotionally crushing issue.
The horror is dense. The atmosphere is immersive.
A simple action story that doesn’t try to reach for too much in the way off substance or depth.
Busiek and Nicieza have the nucleus of a good idea.
An interesting exploration into a character who never really got the center of the screen.
Llovet’s story has a crisp precision about it.