King is writing a line between absurdism and brutal action drama.
King is writing a line between absurdism and brutal action drama.
There’s a hell of a lot of backstory to layer in around the edges.
King has a very clever premise for coming-of-age story.
Wingaard captures the dramatic complexity of the series with poise and subtlety.
Campbell gives Kara that much more of a sense of altruism.
Horak’s detail hits the page without slowing-down the action.
Schultz delivers a dynamic to the page.
The mystery of Rennie lingers long after the final panel.
Laufman is doing such a good job of bringing the cartoons of the violence to the page.
There are some very, very powerful moments of drama.
Diggle has an interesting series of problems to work out.
Priest plays with a great deal of complexity.
Fun with post-apocalyptic adventure tropes.
Ayodele manages something that feels new.
Zchut gradually increases the intensity of what Sophie is up against.
Poison Ivy continues to be one of the better comic books to emerge in the past ten years.
Bengal has kind of a lot of ground to cover in this final 10th of the series.
Juni Ba’s satire has a particularly frenzied approach in the final issue.
Hill keeps it simple.
There is a pleasantly dizzy and kind of meta writing going on with Scott’s script.