Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Tieri manages to fuse the basic premise of the.Xenomorph with World War II.
Thereβs no victimization. No abstract evil. Just tragedy.
Phillips taps into one of the more haunting, dramatic themes of the X-Men saga.
Rucka does a respectable job of outlining the situation.
Williamson frames familiar action in a fresh way.
Schultz frames the drama pretty well on her own terms.
Phillips smartly fuses pulp fantasy adventure with traditional contemporary superhero drama.
Brisson renders a couple of clever bits of dramatic framing this month.
Brisson manages a very tight and surprisingly complicated picture.
The whole thing feels very awkward.
Wilsonβs script fits perfectly with Melnikovβs art.
Cousens frames Cheetara as a deftly powerful energy.
Fred Van Lente has a sharp grasp of some rather clever dialogue.
Chu closes-up everything at the end in a way that feels cold and final.
Fleecs works with a surprisingly dizzying array of different elements.
Stultz frames the action quite well.
Cannon is working with a lot of tiny elements on a tiny canvas.
Itβs provocative stuff.
Phillips is a solidly respectable writer. She's been doing a really good job.
Shalvey exploring some interesting territory.