Bennett and Cafaro continue to work a very appealing narrative gravity in another deeply fun issue.
All tagged Marguerite Bennett
Bennett and Cafaro continue to work a very appealing narrative gravity in another deeply fun issue.
Bennett and Tynion dive into a folk horror that fuses with a narrative that draws inspiration from Hunter S. Thompson.
In the end, it's just really appealing and fun.
Bennett has balanced the script quite well between philosophical drama and action.
Marguerite Bennett delivers one of the single best scripts she rendered for the series thus far.
There's an overwhelming intensity about the story.
Bennett’s best work in the issue involves the conversation between Lisa and Sara.
Bennett manages a bit more dramatic complexity.
Cafaro renders the action of the series with a sense of urgency.
Bennett’s idea would have worked better as a series.
Bennett gives the art team plenty of room to work.
Bennett is doing a remarkable job.
Bennett is juggling many different elements of Sara's life.
The art team does a good job of harnessing the horror.
Bennett’s storytelling is a bit lopsided.
The art doesn't quite deliver the psychological impact of the drama.
The overall momentum of a sweeping action epic is capably maintained.
At its heart, Bennett’s story makes for a really fascinating read.
Bennett finds a remarkably clever little issue for Batman.
The second issue feels like a bit of a mess.