The clever bit is Thompsonβs ability to modulate the aggression of the action.
All in Action
The clever bit is Thompsonβs ability to modulate the aggression of the action.
The horror is dense. The atmosphere is immersive.
A simple action story that doesnβt try to reach for too much in the way off substance or depth.
Busiek and Nicieza have the nucleus of a good idea.
Llovetβs story has a crisp precision about it.
Waid orchestrates a fun βgetting the team togetherβ sort of an issue.
Time travel stories are always a bit awkward.
Williamson finds an interesting angle for the Absolute Power crossover.
Tini and Sweeney continue to have a great deal of fun hanging with Harley,
Williams cleverly balances the narrative between action and drama.
Continues to build on elements that have been established in a rather satisfying series thus far.
The alternating narratives cast a fascinating reflection into who Diana is.
Daniel's story crunches together a hell of a lot in a minimal time.
McConvilleβs script is okay.
Rowell IS telling a solid superhero story.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Itβs a cheap gimmick, but it works.
Wilson, Takara, and Prianto continue to develop something truly distinct and distinctive.
Parker and Sheridan really have something here.
Bustos gives Smallville an atmosphere and personality.