Schultz IS using the format to dive into aspects of Laura’s personality.
All in Action
Schultz IS using the format to dive into aspects of Laura’s personality.
It works.
Thompson has a few major elements in focus for the issue.
Brombal takes the bold move of tearing Batgirl almost entirely away from the title character.
Cantwell and Waid have some fun with an earlier 20th century version of Batman and Superman.
Decades later Claremont returns to the Kitty/Wolverine dynamic.
Rosenberg juggles a fascinating and colorful extended cast.
Segura has a solid sense of rhythm, timing and intensity.
Richards explores quite a few different angles that are common to horror.
A fun sort of a moody action mystery,
Worley pounds the whimsical subtlety and madness out of many of Caroll’s concepts.
Kelly place it a little fast and loose with the continuity.
100% of the proceeds from the issue is going to support wildfire relief.
Covas has a whimsical, disjointing storytelling style.
Thompson delivers a staggeringly clever story about stories and the lessons they reveal.
The story jumps around A LOT.
Reilly slams the page with some serious percussion.
Moore has a delightful sense of absurdity about the whole drama.
It's fun to see that play out with Allen’s wit and heart.
This is the nightmare of The Power Fantasy.